|Friday, April 4th, 2014
concert 7:30 PM
doors 7:00 PM
|The Pulitzer Foundation for the Arts
3716 Washington Boulevard (map)
St. Louis, MO 63108
|The International Contemporary Ensemble (ICE), described by the New York Times as “one of the most accomplished and adventurous groups in new music,” is dedicated to reshaping the way music is created and experienced. ICE functions as performer, presenter, and educator, advancing the music of our time by developing innovative new works and new strategies for audience engagement. ICE redefines concert music as it brings together new work and new listeners in the 21st century. Since its founding in 2001, ICE has premiered over 500 compositions – the majority of these new works by emerging composers – in venues ranging from alternative spaces to concert halls around the world.
A 2012 MacArthur Fellow, Claire Chase is a soloist, collaborative artist, and arts entrepreneur. Over the past decade Chase has presented the world premieres of over 100 new works for flute, many of them tailor-made for her. In 2013 Chase released Density, for which The Washington Post praised her as “One of the most electrifying flutists on the planet.”
ICE presents a performance inspired by the current Pulitzer exhibition, Art of Its Own Making, which “explores the autonomous object as something simultaneously enduring and ephemeral, synchronic, and diachronic.” The performance will include the following works:
This event is made possible by The Phoebe Dent Weil Charitable Foundation
A Special artist talk and Q+A with Claire Chase will take place at the Regional Arts Commission (6128 Delmar Blvd. 63112) on Thursday, April 3rd, from 6:30pm-7:30pm.
From the category archives:
|Saturday, February 22, 2014
6014 Kingsbury Ave. (map)
(SW corner of Kingsbury and Des Peres)
St. Louis, MO 63112
Park on Des Peres Ave.
|Bassist, composer, and collaborator Joshua Abrams has been an essential voice of Chicago’s vibrant music scene for the past fifteen years, playing and recording as leader and sideman in a wide range of projects and spanning all genres (Hamid Drake, Tortoise, Tony Conrad, Sam Prekop, Jandek, Craig Taborn, Bill Dixon, Kevin Drumm, Bonny “Prince” Billy).Abrams’s most recent project, Natural Information, represents yet another fascinating entry in his composing oeuvre, gathering aesthetic input from all over the globe and melding these influences into his own vivid personal statements. At the heart of Abrams’s sound here is the guimbri, a three-stringed animal hide bass, traditionally used by the Gnawa of North Africa in healing ceremonies. Combining quintet formats with adroit use of sampling techniques, Abrams creates intricate psychedelic environments that join the hypnotic character of Gnawa guimbri music with more contemporary musics and methodologies. Comparisons to “Brown Rice” era Don Cherry, Sandy Bull’s “Blend” recordings, and Can’s “Magic” albums are well drawn.
For more information on this concert, visit our Facebook page, or check out these articles:
|Friday, November 15, 2013
doors 7:00 PM, concert 8:00 PM
|Contemporary Art Museum St. Louis
3750 Washington Boulevard
St. Louis, MO 63108
|New York filmmakers and artists, Sandra Gibson and Luis Recoder will present an original piece of “live cinema” using film projectors and simple mechanical means to create slowly shifting abstract light sculptures, and will be joined by Chicago electronic musician and sound artist, Olivia Block. Gibson and Recoder often manipulate, modify, and construct their own apparatus to produce ethereal light effects. For example, in Untitled (2008) they constructed an electronic humidification system to mist glass panes situated in front of two projectors running monochromatic 16mm films, creating beautiful and constantly changing abstractions on the screen.
Olivia Block combines field recording, scored segments for acoustic instruments, and electronically generated sound. Her release Mobius Fuse was voted one of the best albums of the decade by Pitchfork. In a recent feature article in the The Wire magazine, Block’s compositions were described as finely “nuanced textures of environmental material and occasional surges of sonic power blended with an elegant instrumental architecture”.
Since 2007 Gibson Recoder, and Block have continued their film and sound collaborations around the world, including recent performances at the Tate Modern and Chicago Underground Film Festival.
Special FREE following-day workshop and artist talk:
New Music Circle and Contemporary Art Museum St. Louis will host a workshop and talk with artists Olivia Block, Sandra Gibson, and Luis Recoder. The artists will demonstrate their extended techniques and approaches to film and sound. This event is free and open to the public.
New Music Circle presents two special free events with Cooper-Moore on Thursday, October 24, 2013.
(1) Northside Project Workshop with Cooper-Moore
*Additional information: https://www.
(2) Special performance by Cooper-Moore at Foam
As a composer, performer, instrument builder/designer, storyteller, teacher, mentor, and organizer, Cooper-Moore has been a major, if somewhat behind-the-scenes, catalyst in the world of creative music for over 30 years. As a child prodigy Cooper-Moore played piano in churches near his birthplace in the Piedmont region of the Blue Ridge Mountains of Virginia. His performance roots in the realm of avant jazz music date to the NYC Loft Jazz era in the early/mid-70s. His first fully committed jazz group was formed in 1970 with David S. Ware and drummer Marc Edwards. Sonny Rollins asked them to open for him at the Village Vanguard in 1973, and they did so with aplomb. earned a B.A. in Music Education from The Catholic University of America in Washington, D.C. and later studied composition-arranging at the Berklee College of Music in Boston, MA.
From 1981 to 1985, Cooper-Moore focused his energies on developing and implementing curriculums to teach children through music via the Head Start program. Returning to New York in 1985, he spent a great part of his creative time working and performing with theatre and dance productions, largely utilizing his hand-crafted instruments. It was not until the early 90s, when William Parker asked him to join his group In Order To Survive, that Cooper-Moore’s pianistic gifts were again regularly featured in the jazz context.
The New Music Circle will present a concert by In Order To Survive (featuring William Parker, Cooper-Moore, Hamid Drake, Rob Brown, and Lewis Barnes) onFriday, October 25th, at the Mad Art Gallery (2727 S. 12th Street).
|Friday October 25, 2013
|Mad Art Gallery
2727 S. 12th Street, St. Louis, MO 63118
|Bassist and renowned New York avant-garde jazz icon, William Parker, pursues music with a visionary approach, and it is such a vision that has informed Parker’s massive works as an improviser, composer, poet and overall master musician for over 40 years, thus warranting The Village Voice’s accolade: “…the most consistently brilliant free jazz bassist of all time”.
Born in 1952 in the Bronx, Parker studied bass with Richard Davis and Jimmy Garrison, but by the age of 20, Parker had so quickly become the bass player of choice among his peers that he was soon asked to play with figures like Ed Blackwell, Don Cherry, Bill Dixon, Milford Graves, and Sunny Murray. In addition to his notable sojourn with the Cecil Taylor Unit from 1980 through 1991, Parker has cultivated a strong following through countless collaborations over the years with performers such as Alan Silva, Rashid Ali, Peter Brotzmann, and Matthew Shipp.
Since 2000, Parker has continued his musical quest with the ongoing quintet, In Order To Survive, uniting some of the most powerful voices in free jazz today: Hamid Drake (percussion), Cooper-Moore (piano), Rob Brown (alto sax), and Lewis Barnes (trumpet).
|With special support from Piano Distributors, and Jackson Pianos|