Elliott Sharp (solo)

Elliott Sharp (solo)

Friday, March 22nd, 2024 | 7pm Doors / 8pm Show
560 Music Center at Washington University ( 560 Trinity Ave, 63130 / map )

+ Artist Talks ( More Info )

+ Artist Talks:

  • Thursday, March 21 (2.30pm – 3.50pm) – Guest lecture at Washington University’s Department of Music.
    @ Music Classroom Building 102 on the Danforth Campus (6500 Forsyth Blvd).
    This event is free and open the public (for info please email newmusiccircle.info@gmail.com)
  • Elliott Sharp will also participate in a Q&A and take audience questions following his performance on Friday, March 22.

Presented in partnership with The Department of Music at Washington University

Elliott Sharp – electric guitar

 
Elliott Sharp photo
Elliott Sharp photo  

A key figure in the avant-garde and experimental music scene in New York City for over thirty years, guitarist Elliott Sharp has released over sixty-five recordings ranging from blues, jazz, and orchestral music, to noise, no wave rock, and techno music. He pioneered methods of applying fractal geometry, chaos theory, and genetic metaphors to musical composition and interaction, as well as the use of computers in live improvisation with his Virtual Stance project of the 1980s. He is an inveterate performer, playing mainly guitar, saxophone and bass clarinet.

Sharp describes himself as a lifelong “science geek,” having modified and created musical instruments from his teen years.

Sharp attended Cornell University from 1969 to 1971, studying anthropology, music, and electronics. He completed his B.A. degree at Bard College in 1973, where he studied composition with Benjamin Boretz and Elie Yarden; jazz composition, improvisation, and ethnomusicology with trombonist Roswell Rudd; and physics and electronics with Burton Brody. In 1977 he received an M.A. from the University at Buffalo, where he studied composition with Morton Feldman and Lejaren Hiller, and ethnomusicology with Charles Keil.

From the late ’70s, Sharp established himself in New York’s music scene. His compositions have been performed by the Symphony of the Hessischer Rundfunk, the Ensemble Modern, Continuum, the Orchestra of the SEM Ensemble, Kronos Quartet, Zeitkratzer, the Soldier String Quartet, and the Quintet of the Americas. He releases music under his own label (zOaR music) as well as punk label SST and downtown music labels such as Knitting Factory records and John Zorn’s Tzadik label. Guitar Player magazine’s 30th anniversary issue included Sharp among their list of “The Dirty Thirty – Pioneers and Trailblazers.”

He has collaborated regularly with many people, including Christian Marclay, Eric Mingus, Zeena Parkins, Vernon Reid, Bobby Previte, Joey Baron, David Torn, Nels Cline, and Frances-Marie Uitti, as well as qawaali singer Nusrat Fateh Ali Khan, blues legend Hubert Sumlin, and Bachir Attar, leader of the Master Musicians of Jajouka. He also curates the State of the Union compilations of one-minute tracks by experimental musicians, and produces records for numerous artists.

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