The Vinny Golia Trio
Presented by NMC and the Department of Music at Wash U
Saturday, February 12th, 2027 | 7pm Doors / 8pm Show
Pillsbury Theatre at 560 Music Center ( 560 Trinity Ave, 63130 / map )
Vinny Golia – saxophones / compositions
Ken Filliano – double bass
Michael T.A. Thompson – drums


Vinny Golia
As a composer, Vinny Golia fuses the rich heritage of Jazz, contemporary classical and world music into his own unique compositions. Also a bandleader, Golia has presented his music to concert audiences in Europe, Canada, Mexico, Japan, Australia, New Zealand and the United States in ensembles varying dramatically in size and instrumentation. Mr. Golia has won numerous awards as a composer, including grants from The National Endowment of the Arts, The Lila Wallace Commissioning Program, The California Arts Council, Meet the Composer, Clausen Foundation of the Arts, Funds for U.S. Artists and the American Composers Forum. In 1982 he created the on-going 50-piece Vinny Golia Large Ensemble to perform his compositions for chamber orchestra and jazz ensembles.
A multi-woodwind performer, Vinny’s recordings have been consistently picked by critics and readers of music journals for their yearly “ten best” lists. In 1990 he was the winner of the Jazz Times TDWR award for Bass Saxophone. In 1998 he ranked first in the Cadence Magazine Writers & Readers Poll and has continually placed in the Downbeat Critic’s Poll for Baritone & Soprano Saxophone. In 1999 Vinny won the LA Weekly’s Award for “Best Jazz Musician.” Jazziz Magazine has also named him as one of the 100 people who have influenced the course of Jazz in our Century. In 2006 The Jazz Journalists Association honored him with a Lifetime Achievement Award. 2013 Vinny won the Downbeat Critic’s Poll in the “New Star” category for Baritone Saxophone.
Golia has also contributed original compositions and scores to Ballet and Modern Dance works, video, theatrical productions, and film. As an educator Vinny has lectured on music & painting composition, improvisation, Jazz History, The History of Music in Film, CD & record manufacturing and self-production throughout the United States, Europe, Mexico, New Zealand and Canada. He currently teaches at California Institute of the Arts. In 1998 Golia was appointed Regent’s Lecturer at the University of California at San Diego. In 2009 Vinny Golia was appointed the first holder of the Michel Colombier Performer Composer Chair at Cal Arts.
Vinny has been a featured performer with Anthony Braxton, Henry Grimes, John Carter, Bobby Bradford, Joelle Leandre, Leo Smith, Horace Tapscott, John Zorn, Tim Berne, Bertram Turetzky, George Lewis, Barre Phillips, The Rova Saxophone Quartet, Patti Smith, Harry “the Hipster” Gibson, Eugene Chadburne, Kevin Ayers, Peter Kowald, John Bergamo, George Gruntz Concert Jazz Band, Misha Mengelberg, Han Bennick, Lydia Lunch, Harry Sparrney, and the Los Angeles Philharmonic Orchestra amongst many others.

Ken Filliano
Ken Filliano is a bassist, composer, improviser, and teacher who performs around the world, fusing the rich traditions of the double bass with his own seemingly limitless imagination. A “creative virtuoso” (JazzValley), Ken has performed and recorded with a veritable who’s who in multiple genres, from Anthony Braxton to Pablo Ziegler. Ken leads two quartets, Quantum Entanglements and Baudolino’s Dilemma, and is co-leader of The Steve Adams/Ken Filiano Duo and other collective ensembles. He is also an integral member of groups led by Taylor Ho Bynum, Jason Kao Hwang, Fay Victor, Vinny Golia, Diane Moser, Karl Berger, and others, and was a key member of groups led by the late Roswell Rudd and Connie Crothers. Ken’s extensive discography includes the solo CD, Subvenire (Nine Winds) and Quantum Entanglements’s Dreams From a Clown Car (Clean Feed). He is a Guiding Artist and on the Board of Advisors for Creative Music Studio in Woodstock, NY.

Michael T.A. Thompson
Michael T.A. Thompson, born in Miami, FL and raised in the US Virgin Islands, is a versatile drummer, composer, and educator whose musical journey spans a variety of genres. After studying at Berklee School of Music, Thompson moved to New York City where he connected with prominent figures in the avant-garde jazz scene, including Roy Campbell, Jr., William Parker, Kidd Jordan, and Joe McPhee. He quickly became a sought-after musician, performing with a diverse range of artists from reggae icon Owen Gray to avant-garde luminaries like Vinny Golia and Charles Gayle. Thompson’s extensive recording credits include work for television shows like Blue’s Clues, commercials, and film, demonstrating his adaptability across musical styles. His contributions to the world of music showcase his ability to blend improvisation with various cultural influences, making him a dynamic force in contemporary music.