John Wiese (Solo Performance and Composition for St. Louis Ensemble)

John Wiese (Solo Performance & Composition for STL Ensemble / + STL Residency)
Saturday, November 11, 2017

advanced tickets here / RSVP on Facebook here for updates on residency and promotions
Xavier Hall University Theatre, Saint Louis University
3733 West Pine Mall, 63108  / *UPDATE – A DETAILED MAP to Xavier Hall may be found HERE ( http://newmusiccircle.org/2017/11/08/xavier/

John Wiese – electronics & compositions for St. Louis ensemble

Darin Gray – upright bass
Danielle Taylor Williams – harp
Julio Prato – electronics
Coby Pear – modular synthesizer
Drew Gowran –  percussion
Michael Williams – tapes / electronics
Chris Trull – Guitar
Fred Tompkins – flute
Sarah Vie – violin
Alex Cunningham – violin
JJ Hamon – pedal steel guitar / trombone
Hannah Costillo – keyboards
Necia Baxter – turntables
Dave Stone – Saxophone
Syrhea Conaway – vocals / electronics
Josh Kahl – Modular synthesizer
Alberto Patino – drums
Louis Wall – cymbals

+ STL RESIDENCY: Please see red text below. 


John Wiese is an artist and composer living in Los Angeles, California. He is a native of St. Louis, where as a young teenager he began experiments with home-recording on a cassette 4-track. He has since solidified his name as a tremendously prolific performer and recording artist, with expertise in composition, texture, and sonic experimentation. Wiese says he doesn’t really think of himself as a musician in the traditional sense, and instead of writing purely notated music he works with manipulating, cutting and arranging sounds electronically. The end product is more like a meticulous collage, built upon dense, nuanced sounds ranging from the minimal to the frenetic.

With a lengthy résumé of solo releases, Wiese’s projects as a collaborator have increased over the last decade to produce works with the likes of veteran jazz-improviser, Evan Parker, rock bands like No Age and Wolf Eyes, and metal groups such as Sunn O))). Recently, he has lead collaborative projects for large groups, developing a method of “text-based scores”. For his St. Louis performance he will debut a site-specific composition that includes over 20 local musicians, utilizing both traditional and non-traditional instrumentation.

 

STL RESIDENCY: Workshops, artist-talks, and film screenings…

Weds – Nov 8th

9am – 10am 
Washington University’s Sam Fox School:  Constellations, Sequences and Series – class – Room: Steinberg 026
event page here
11:30am – 12:30pm
Lindenwood University (St. Charles)
Room: room LARC 117
contact: 314-374-9188 / bscholle@lindenwood.edu
event page here
3:00pm – 4:00pm
Dept. of Music at Washington University
Department of Music | Blewett Hall : Tietjens 4
event page here & here
 
Thurs November 9th 
 
11am – 12:30pm
Forrest Park Community College
Room F410
event page here
8pm – 9pm
Films by John Wiese (free screening)
Moolah Theatre (@ Mini Moolah)
3821 Lindell Blvd
event page here

Co-presented in partnership with Department of Fine & Performing Arts, Saint Louis University
Special support provided has been provided Arts and Education Council

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Battle Trance

Saturday, Dec 2, 2017

+ SPECIAL POP-UP EVENT JUST ADDED (DETAILS BELOW)

The Luminary
2701 Cherokee St., 63118

Travis Laplante – saxophone
Patrick Breiner – saxophone
Matthew Nelson – saxophone
Jeremy Viner – saxophone


The all-tenor sax quartet, Battle Trance, specializes in the uncanny transformations of their instruments. Together they perform longform, meditative pieces with a strong emphasis on drone, circular breathing, and trancelike repetition, bringing to mind the works of 20th Century minimalist composers like Philip Glass or Steve Reich, but with an added primal energy and urgency reminiscent of Pharaoh Sanders or Joe McPhee.

Battle Trance has released two albums to date on the prolific indie-label, NNA Tapes: Palace of the Wind (2014) and Blade of Love (2016). Both albums have won praise for their genre-crossing compositions, drawing comparisons to the contemporary classical world, modal avant-garde jazz, and noise-based experimentalism. In live settings the quartet is capable of creating a hypnotic fury of notes, unifying both the harmonic and physical in sound.

Presented in partnership with The Luminary.

+ Saxquest, NMC, and Dead Wax Records present: Pop-up concert with Battle Trance 

Saturday, Dec 2md at Dead Wax Records. 1:30pm – 2:15pm. FREE (no rsvp needed)

info at Facebook event page: HERE

 

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